back from four days of little rest, but also a nice déjeuner sur l'herbe Bolger in Cascina Fagnana one year after the terrible events , with renewed energy I find in a box set of news cinematographic happy (oh yeah?) propose here. The more informed you are already aware of the news, the less well informed fregherà probably nothing, but it is possible that some ingenuotto back from Foggia do not yet have heard, so here is the series of news (thanks to my friend Julian I reported this article help catch up with all the news).
Guillermo del Toro, now confirmed by the director of the film of The Hobbit, issued April 25 an exclusive interview to TheOneRing.Net . In the interview, the director of Pan's Labyrinth first announced its intention to be heard several times on the tag-board Forum and, secondly, he complains that Bolger does not have one. Then ended their grievances to the now obsolete blog of the Milan group, moved on to discuss some aspects of his poetry and applications of these principles to the transposition of the book by Tolkien.
What shines a greater extent from the interview, spiegabilissimo in terms of marketing, I find it a desire for continuity with the work of Peter Jackson , beginning with the desire not to embark in the direction of the film unless the legal issues between the former director and New Line had not been resolved. Del Toro announces continuity with regard to location yet - New Zealand - and regarding use of the same: "the location can be improved by technology, of course, digital or not. What I want to avoid, however, is to recreate the natural environments in digital graphics : it is not something I enjoy doing. The film is basically a travel film, I think you should use the location as possible. " To a large extent, this is - at least in words - to make a cube that Peter Jackson has done, that is largely an "assembly" on several floors of existing landscapes. "The essential elements for keeping continuity are on track, "he said when asked about the future use or otherwise of special effects Weta Digital. The confirmation of many members of the same cast and the staff is further evidence of a desire to build a true "prequel" to the Jackson movie, instead of a stand-alone product: confirmed Andy Serkis, Ian McKellen , Howard Shore, John Howe, Gino Acevedo (the supervisor at Weta trick), Richard Taylor (creative supervisor maquette, monsters and all that jazz ) and, apparently, even Alan Lee. And Del Toro a nice reassurance, in the same interview about the plot a story that would be independent: the autonomy of a product should be something else and I would have preferred to Hobbit entirely different interpretation of Tolkien subcreation than that given by Jackson, I do not feel very satisfied after reading this. Not if the differences, at least according to Del Toro, are attributable to a chromatic scale "more golden" and less use of computer graphics in the creation of monsters.
Now, that thing about responding to a question on notorious "second film" , what should pursue chronologically between Lo Hobbit e la trilogia.
«You know, I traveled to New Zealand just a little while ago, and one of the main reasons for going was to sit down and talk about the second film. The Hobbit , the book, is really one self-contained film, so for the second movie we sat down and worked it out. When we did this we got really excited because this second film is not a ‘tag on’, it’s not ‘filler’, it’s an integral part of telling the story of those 50 years of history lost in the narrative. There will be certain things that we will see from the first movie but from a different point of view, but it will feel like a volume, in the 5 volumes of the entire story. It will not feel like a bridge, I’ve hearing it Been Called 'a bridge film', it's not, it's an integral chapter of the story, and I think we're all on the Same Page. "
Fear, eh?
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