Tuesday, February 6, 2007

How To Do A Spaghetti Bridge Strong



David Foster Wallace

They Were up on a picnic table at That park by the lake, by the edge of the lake, with part of a downed tree in the shallows half hidden by the bank. Lane A. Dean, Jr., and his girlfriend, both in bluejeans and button-up shirts. They sat up on the table’s top portion and had their shoes on the bench part that people sat on to picnic or fellowship together in carefree times. They’d gone to different high schools but the same junior college, where they had met in campus ministries. It was springtime, and the park’s grass was very green and the air suffused with honeysuckle and lilacs both, which was almost too much. There were bees, and the angle of the sun made the water of the shallows look dark. There had been more storms that week, with some downed trees and the sound of chainsaws all up and down his parents’ street. Their postures on the picnic table were both the same forward kind with their shoulders rounded and elbows on their knees. In this position the girl rocked slightly and once put her face in her hands, but she was not crying. Lane was very still and immobile and looking past the bank at the downed tree in the shallows and its ball of exposed roots going all directions and the tree’s cloud of branches all half in the water. The only other individual nearby was a dozen spaced tables away, by himself, standing upright. Looking at the torn-up hole in the ground there where the tree had gone over. It was still early yet and all the shadows wheeling right and shortening. The girl wore a thin old checked cotton shirt with pearl-colored snaps with the long sleeves down and always smelled very good and clean, like someone you could trust and care about even if you weren’t in love. Lane Dean had liked the smell of her right away. His mother called her down to earth and liked her, thought she was good people, you could tell—she made this evident in little ways. The shallows lapped from different directions at the tree as if almost teething on it. Sometimes when alone and thinking or struggling to turn a matter over to Jesus Christ in prayer, he would find himself putting his fist in his palm and turning it slightly as if still playing and pounding his glove to stay sharp and alert in center. He did not do this now; it would be cruel and indecent to do this now. The older individual stood beside his picnic table—he was at it but not sitting—and looked also out of place in a suit coat or jacket and the kind of men’s hat Lane’s grandfather wore in photos as a young insurance man. He appeared to be looking across the lake. If he moved, Lane didn’t see it. He looked more like a picture than a man. There were not any ducks in view.

One thing Lane Dean did was reassure her again that he’d go with her and be there with her. It was one of the few safe or decent things he could really say. The second time he said it again now she shook her head and laughed in an unhappy way that was more just air out her nose. Her real laugh was different. Where he’d be was the waiting room, she said. That he’d be thinking about her and feeling bad for her, she knew, but he couldn’t be in there with her. This was so obviously true that he felt like a ninny that he’d kept on about it and now knew what she had thought every time he went and said it—it hadn’t brought her comfort or eased the burden at all. The worse he felt, the stiller he sat. The whole thing felt balanced on a knife or wire; if he moved to put his arm up or touch her the whole thing could tip over. He hated himself for sitting so frozen. He could almost visualize himself tiptoeing past something explosive. A big stupid-looking tiptoe, like in a cartoon. The whole last black week had been this way and it was wrong. He knew it was wrong, knew something was required of him that was not this terrible frozen care and caution, but he pretended to himself he did not know what it was that was required. He pretended it had no name. He pretended that not saying aloud what he knew to be right and true was for her sake, was for the sake of her needs and feelings. He also worked dock and routing at UPS, on top of school, but had traded to get the day off after they’d decided together. Two days before, he had awakened very early and tried to pray but could not. He was freezing more and more solid, he felt like, but he had not thought of his father or the blank frozenness of his father, even in church, which had once filled him with such pity. This was the truth. Lane Dean, Jr., felt sun on one arm as he pictured in his mind an image of himself on a train, waving mechanically to something that got smaller and smaller as the train pulled away. His father and his mother’s father had the same birthday, a Cancer. Sheri’s hair was colored an almost corn blond, very clean, the skin through her central part pink in the sunlight. They’d sat here long enough that only their right side was shaded now. He could look at her head, but not at her. Different parts of him felt unconnected to each other. She was smarter than him and they both knew it. It wasn’t just school—Lane Dean was in accounting and business and did all right; he was hanging in there. She was a year older, twenty, but it was also more—she had always seemed to Lane to be on good terms with her life in a way that age could not account for. His mother had put it that she knew what it is she wanted, which was nursing and not an easy program at Peoria Junior College, and plus she worked hostessing at the Embers and had bought her own car. She was serious in a way Lane liked. She had a cousin that died when she was thirteen, fourteen, that she’d loved and been close with. She only talked about it that once. He liked her smell and her downy arms and the way she exclaimed when something made her laugh. He had liked just being with her and talking to her. She was serious in her faith and values in a way that Lane had liked and now, sitting here with her on the table, found himself afraid of. This was an awful thing. He was starting to believe that he might not be serious in his faith. He might be somewhat of a hypocrite, like the Assyrians in Isaiah, which would be a far graver sin than the appointment—he had decided he believed this. He was desperate to be good people, to still be able to feel he was good. He rarely before now had thought of damnation and Hell—that part of it didn’t speak to his spirit—and in worship services he more just tuned himself out and tolerated Hell when it came up, the same way you tolerate the job you’ve got to have to save up for what it is you want. Her tennis shoes had little things doodled on them from sitting in her class lectures. She stayed looking down like that. Little notes or reading assignments in Bic in her neat round hand on the rubber elements around the sneaker’s rim. Lane A. Dean, looking now at her inclined head’s side’s barrettes in the shape of blue ladybugs. The appointment was for afternoon, but when the doorbell had rung so early and his mother’d called to him up the stairs, he had known, and a terrible kind of blankness had commenced falling through him.

He told her that he did not know what to do. That he knew if he was the salesman of it and forced it upon her that was awful and wrong. But he was trying to understand—they’d prayed on it and talked it through from every different angle. Lane said how sorry she knew he was, and that if he was wrong in believing they’d truly decided together when they decided to make the appointment she should please tell him, because he thought he knew how she must have felt as it got closer and closer and how she must be so scared, but that what he couldn’t tell was if it was more than that. He was totally still except for moving his mouth, it felt like. She did not reply. That if they needed to pray on it more and talk it through, then he was here, he was ready, he said. The appointment could get moved back; if she just said the word they could call and push it back to take more time to be sure in the decision. It was still so early in it—they both knew that, he said. This was true, that he felt this way, and yet he also knew he was also trying to say things that would get her to open up and say enough back that he could see her and read her heart and know what to say to get her to go through with it. He knew this without admitting to himself that this was what he wanted, for it would make him a hypocrite and liar. He knew, in some locked-up little part of him, why it was that he’d gone to no one to open up and seek their life counsel, not Pastor Steve or the prayer partners at campus ministries, not his UPS friends or the spiritual counselling available through his parents’ old church. But he did not know why Sheri herself had not gone to Pastor Steve—he could not read her heart. She was blank and hidden. He so fervently wished it never happened. He felt like he knew now why it was a true sin and not just a leftover rule from past society. He felt like he had been brought low by it and humbled and now did believe that the rules were there for a reason. That the rules were concerned with him personally, as an individual. He promised God he had learned his lesson. But what if that, too, was a hollow promise, from a hypocrite who repented only after, who promised submission but really only wanted a reprieve? He might not even know his own heart or be able to read and know himself. He kept thinking also of 1 Timothy and the hypocrite therein who disputeth over words. He felt a terrible inner resistance but could not feel what it was that it resisted. This was the truth. All the different angles and ways they had come at the decision together did not ever include it—the word—for had he once said it, avowed that he did love her, loved Sheri Fisher, then it all would have been transformed. It would not be a different stance or angle, but a difference in the very thing they were praying and deciding on together. Sometimes they had prayed together over the phone, in a kind of half code in case anybody accidentally picked up the extension. She continued to sit as if thinking, in the pose of thinking, like that one statue. They were right up next to each other on the table. He was looking over past her at the tree in the water. But he could not say he did: it was not true.

But neither did he ever open up and tell her straight out he did not love her. This might be his lie by omission. This might be the frozen resistance—were he to look right at her and tell her he didn’t, she would keep the appointment and go. He knew this. Something in him, though, some terrible weakness or lack of values, could not tell her. It felt like a muscle he did not have. He didn’t know why; he just could not do it, or even pray to do it. She believed he was good, serious in his values. Part of him seemed willing to more or less just about lie to someone with that kind of faith and trust, and what did that make him? How could such a type of individual even pray? What it really felt like was a taste of the reality of what might be meant by Hell. Lane Dean had never believed in Hell as a lake of fire or a loving God consigning folks to a burning lake of fire—he knew in his heart this was not true. What he believed in was a living God of compassion and love and the possibility of a personal relationship with Jesus Christ through whom this love was enacted in human time. But sitting here beside this girl as unknown to him now as outer space, waiting for whatever she might say to unfreeze him, now he felt like he could see the edge or outline of what a real vision of Hell might be. It was of two great and terrible armies within himself, opposed and facing each other, silent. There would be battle but no victor. Or never a battle—the armies would stay like that, motionless, looking across at each other, and seeing therein something so different and alien from themselves that they could not understand, could not hear each other’s speech as even words or read anything from what their face looked like, frozen like that, opposed and uncomprehending, for all human time. Two-hearted, a hypocrite to yourself either way.

When he moved his head, a part of the lake further out flashed with sun—the water up close wasn’t black now, and you could see into the shallows and see that all the water was moving but gently, this way and that—and in this same way he besought to return to himself as Sheri moved her leg and started to turn beside him. He could see the man in the suit and gray hat standing motionless now at the lake’s rim, holding something under one arm and looking across at the opposite side where a row of little forms on camp chairs sat in a way that meant they had lines in the water for crappie—which mostly only your blacks from the East Side ever did—and the little white shape at the row’s end a Styrofoam creel. In his moment or time at the lake now just to come, Lane Dean first felt he could take this all in whole: everything seemed distinctly lit, for the circle of the pin oak’s shade had rotated off all the way, and they sat now in sun with their shadow a two-headed thing in the grass before them. He was looking or gazing again at where the downed tree’s branches seemed to all bend so sharply just under the shallows’ surface when he was given to know that through all this frozen silence he’d despised he had, in truth, been praying, or some little part of his heart he could not hear had, for he was answered now with a type of vision, what he would later call within his own mind a vision or moment of grace. He was not a hypocrite, just broken and split off like all men. Later on, he believed that what happened was he’d had a moment of almost seeing them both as Jesus saw them—as blind but groping, wanting to please God despite their inborn fallen nature. For in that same given moment he saw, quick as light, into Sheri’s heart, and was made to know what would occur here as she finished turning to him and the man in the hat watched the fishing and the downed elm shed cells into the water. This down-to-earth girl that smelled good and wanted to be a nurse would take and hold one of his hands in both of hers to unfreeze him and make him look at her, and she would say that she cannot do it. That she is sorry she did not know this sooner, that she hadn’t meant to lie—she agreed because she’d wanted to believe that she could, but she cannot. That she will carry this and have it; she has to. With her gaze clear and steady. That all night last night she prayed and searched inside herself and decided this is what love commands of her. That Lane should please please sweetie let her finish. That listen—this is her own decision and obliges him to nothing. That she knows he does not love her, not that way, has known it all this time, and that it’s all right. That it is as it is and it’s all right. She will carry this, and have it, and love it and make no claim on Lane except his good wishes and respecting what she has to do. That she releases him, all claim, and hopes he finishes up at P.J.C. and does so good in his life and has all joy and good things. Her voice will be clear and steady, and she will be lying, for Lane has been given to read her heart. To see through her. One of the opposite side’s blacks raises his arm in what may be greeting, or waving off a bee. There is a mower cutting grass someplace off behind them. It will be a terrible, last-ditch gamble born out of the desperation in Sheri Fisher’s soul, the knowledge that she can neither do this thing today nor carry a child alone and shame her family. Her values blocked the way either way, Lane could see, and she has no other options or choice—this lie is not a sin. Galatians 4:16, Have I then become your enemy? She is gambling that he is good. There on the table, neither frozen nor yet moving, Lane Dean, Jr., sees all this, and is moved with pity, and also with something more, something without any name he knows, that is given to him in the form of a question that never once in all the long week’s thinking and division had even so much as occurred—why is he so sure he doesn’t love her? Why is one kind of love any different? What if he has no earthly idea what love is? What would even Jesus do? For it was just now he felt her two small strong soft hands on his, to turn him. What if he was just afraid, if the truth was no more than this, and if what to pray for was not even love but simple courage, to meet both her eyes as she says it and trust his heart?

Saturday, August 19, 2006

Treatment For Polops Onoutside Of Gall Bladder

Lodoli Marco, "The Night"

Racconto lungo di Lodoli, meno surreale - un po' meno - di altre sue cose; ben written, as always, with the usual clever balancing act between lyricism and irony, once again assured by the elements contained in each of unreality.

The story is thin: it is told in flashback the story of Constantine, while he is brought
around Rome at night, two figures, as he
employees of the mysterious Mad, and Constantine believed that the two are responsible to kill him. The protagonist is a restless man, simple, naive (a bit 'stupid, let's say), whose feelings Lodoli weaves through descriptions and images, along with the balance of the tongue, are the substance of this short novel
.

Constantine delivery packages for this account mysterious Mad -
presumably a kind of boss - who sends the instructions written on slips of paper with prose and sometimes bombastic philosophizing. Following Constantine was hired to take care of the park's Crazy, which can not leave the park, and are assigned a horse first, then a hawk, then a manatee in love with Constantine.
Falling in love with this siren is the situation, more than any other, highlights the conflict between the inner world, surreal, of Constantine and the crudeness of reality in which they live. In addition, this ambiguous and impossible to 'report' can not remember the relationships between the sailors and the wonderful marine life, and undefined in the cargo bay and the gulf Michele Mari.

say nothing of the outcome, even more surreal.

As I said, Lodoli continues to play with the ambiguity between writing non-stories (focusing his work on tone, atmosphere and descriptions) and the refusal to do
formalism altogether. In the night
But this balance shifts in favor of lyricism and consistency of the plot;
therefore less ironic, less invention, less fantastic situations. And the result is perhaps
weaker (compared for example to Wind ).
It is a very original way, in the Italian literary scene.
(Di Stasio Nice painting on the cover (not the worst).)


Postscript: looking back now, several years after writing this card, The night I remember it much better than it appears above. Obviously the writing is capable of leaving certain memories and certain impressions, and is not a small thing.

A Welcome Poem For Church

Papyrus and musket

S ettecento broken pages and several appendices and indexes full-bodied. "The papyrus Dongo (Adelphi), latest and recent work by Luciano Canfora , is a big book. A big book that tells the story of Italian Papyrology during the Fascist period and until the early '50s.
very specialized topic, no? Stuff closely reserved for philologists, it would seem. Yet I who knew nothing of Papyrology, philology almost same, I read it quickly and with satisfaction (nor are culturally masochist, at least in this case). Why? I have asked him.

Canfora's book is a history book in every respect, the report of a detailed and meticulous historical research, with detailed comparison of the sources and all the other trappings. Yet it is also a great story: without conceding the anecdotal or narrative aspect, Canfora traces the events business, political and - in part - of the greatest philologists personal Italians of that period, work on papyri (transcriptions and translations) , contacts international archaeological excavations, the struggles and meanness aimed at staff and management of prestigious academic positions and professorships.
"The papyrus of Dongo" consider only those events. However, it is exciting. Why?
The answer I give is not only the narrative capacity of Luciano Canfora (which in popular works and has written many), no, I think the answer is obvious but rarely mentioned that the history is narrative, it is news; is the story. The scientific rigor and objectivity does not necessarily exclude this aspect: history is narrative, and can be even when it is done well (not only, that is, when it is hoax ideological).
Certainly, the events narrated in this case, they carry a certain richness: mainly the fact that they fit into Fascism, in the administration of the University by the regime in power to manipulate to obtain funds, promotion, tenure, publications . No coincidence that the characters constantly on the background of the events recounted are kind and Bottai, that the philosopher closer to Mussolini's regime and the Minister of Fascist culture.

In the foreground, however, there are philologists: Medea Norsa, Girolamo Vitelli (until his death in 1932), Godfrey Coppola, Achille want. In the stories of these internationally renowned scholars, there are also two different ways of dealing with the regime: that of trying to approach it as much as possible and draw from personal benefits (Coppola, want) and to those who accept him closing his eyes and trying not to have disadvantages (but without enthusiasm). The sample of opportunism, of meanness, of impropriety and ambition is Achilles Vogliano: After reading the 'managed' During the two decades, is really impressive to see how, after 25 April '45, try to defend themselves from 'purge and recycle in a memorial that looks ruthlessly Canfora (for other people want that so many other Italian academics deeply compromised with the fascist regime can go out in the end largely untouched by the change of regime). Among
those who stayed away from fascism, while not oppose it, there are Girolamo Vitelli (doyen of Italian papyrologists, former senator and Giolittian 73enne time of the March on Rome) and his student and collaborator Norsa Medea, the latter is a figure that comes from really gigantic reconstruction of Camphor, and yet, after the death of calves will be continually humiliated and ostracized (although the greatest scholar in his field, will never have a chair and eventually expelled for no reason even when Florence Institute papyrological had worked all his life), and this will only happen in small part because the origin of the Jewish father (the adventures that the bureaucratic Norsa tackles to go out free of the racial laws of '39 have the grotesque: a pearl is the request by the Ministry of Bottai, the mother's birth certificate to establish the 'Italian': except that the mother of Norsa, Trieste, was born and died in Habsburg territory still 'unredeemed'!)
The last character of the historic split of camphor and Godfrey Coppola. It 's a case of its own: careerist and ambitious but also genuinely excited to be in politics than in philological work, Coppola has worked many years with his teacher and Vitelli Norsa. But it is also increasingly linked to Fascism, and from '37-'38 his political rise in the system is constant, not only as the cursive "People of Italy (where he published articles so violently anti-Semitic to embarrass Goering) as well as cynical and ruthless political leader, especially after the September 8, 1943 and in the parable of CSR. In fact, Coppola, now considered a blind fanatic also all ' inside of the Fascist Party, dies at Dongo was shot along with the surviving leaders of the Social Republic (but also for him not fail an attempt at posthumous rehabilitation - political and non-professional in the early postwar years). And 'course, adding that his friendship and cooperation with the Norsa into hostility from '37-38.
And as part of this friendship became hostility that finally runs the story of the last protagonist of the book Canfora: papyrus giving the title to the work. In fact, these fragments of the "Hellenic" is more of a casus belli, both on the academic and on that of personal relationships: I leave the story, from discoveries in the '33 war, any player, just as freely, if I leave works in the university comparison between the pettiness of those years and the current situation is asked to give rather dispassionate guide.

Tuesday, August 1, 2006

Cervix Is Low Hard But Negative Pregnancy Test

Francesco Guccini, "Chronic epafàniche "and" Cow of a bitch "

Of the first two volumes of autobiographical fabrications pavanese / Modena Guccini hard that I can speak with some objectivity, because of the affection I bear to some of the places, things, culture told. Patience. In
Chronic epafàniche Guccini tells the childhood pavanese (Guccini is 40), in the mill of his uncles during the war and a bit 'after (he spent many summers there, even after moving to Modena). There is a chronological history and nemmanco a thread in the story, or, if any, is lost in a ramble for anecdotes, parentame, objects, words, tastes (and I'm not talking about a defect, so that was the first real book of the singer Emilia).
There are Americans who arrive and leave and bring tons of stuff (mostly explosive, But not only that), then recycled and used stuff for years, in many uses. Americans' a throw anything away, it seems. ( Then the war is over and the Americans have won. And we? No, we said that was lost. Maaa?! O was not all on the side of the Americans, us? ") Then
there is the river, the country, people and mountain people cheerfully crude and blunt the following storytellers will always, until now, with a fierce and ironic evidence. All nell'affabulazione rich dialect (I doubt that anyone who does not know that speech can read it in tune with the - ahem - semantics that text) that builds a affreschetto modest and devoid of pretentiousness (always the higher quality of Gucci, this lack of claims ) of what is his personal mythology (that which every man has his own, no?, and who does not n'ha, poeretto him), that of childhood places and people - from having fortified in case of FG leaving areas of early childhood, and then found them.
It 's a beautiful story - I'm biased, I am of those parts - and heaven knows it is difficult to find descriptions of his native province that esondino rhetoric and their saws.
" Vacca a dog," the second book, however, is the childhood and adolescence of Modena Noster, a province on the outskirts of the war, muffled by fog and dutifully lined monelerìe of the boy's a bit 'rough But not stupid , and appropriately cruel and tenders with the figures until ragasine caps, the mine, from early cinema to rochenrol, co '' I'm bitterly unattainable American myth.
Until the light of revelation, after watching a movie with Elvis: guys, if we do a whole we are more intorteranno Troglio for sure! Then bulogneise
to Madrid, the premises and try to suonicchiare pussy-obvious constant - until the close of the boy montanarprovinciale that while the peels on the stage a little place, you see the look on mine in under a beautiful aristocrat who had university attended, and it says "I'll do the cocks' overall job I'm your life!" The
dowry of these playful small book - I'm biased, I said it already - is as true, ironic, mock-naive Guccini said that with which the memory of its environment, with that story-telling poetry that he can sing (just) right without taking too much. It's not prose naive: it is built and aware, but it works, because, you know, the style fits like a glove to the content.
The latest chapter in the autobiographical saga of Frank Sinatra is " Citanova blues," but I have not read it yet!